I try not to, but often I find myself dwelling on the changes that have taken place in the romance writing industry in recent years. Back when I first started seriously pursuing writing, we had never heard of an e-publisher. The RWA chapter I belonged to wasn't on Yahoogroups. The internet wasn't the end-all of communication and information it is now. Man, how times have changed.
The question is, have they changed for better or worse? I guess the answer depends on who you ask.
Let's look at the negatives first, because I'd rather wrap this up on a positive note.
The economy is a big factor. Mass market sales are down. Therefore, advances are down. The authors who've been at this for a while are forced to write more and more to make the same money they were pulling in a few years ago. Midlist authors and those even farther down the ladder are being dropped like hot potatoes. Many are resorting to alternate avenues of publishing--small press, electronic, and even self-publishing. It's become commonplace to me now to run across authors who used to publish with the big, mass market publishers and find them on the lists of the small electronic/pod publishers. What many wouldn't even have considered doing a few short years ago has become the norm. (and we all thought this e-publishing stuff would never catch on) With more and more authors publishing with the small electronic presses, the competition for sales has grown fierce, and the contracts with the big boys in New York are more coveted than ever and increasingly harder to get.
Sounds pretty bleak, doesn't it? By all accounts I've seen and heard, the entire industry is in a tailspin. I'm curious to see how it all ends up, and yet I'm almost afraid to watch.
Okay. I said I'd end this with the good news, so here it is, for what it's worth. With the influx of all these electronic and/or print on demand publishers, nearly all of us can now be published. Yippee. Right? Well, the downside is that the money is nothing to brag about. There are quite a few exceptions, of course, but on average the electronic and print on demand published author will spend more on trying to promote her book than she will earn in royalties. Maybe the numbers will improve with more time and a few more e-readers. Most of the authors I know have built themselves a list. The more books they have out, the more money they make. One of the pluses of being e- and pod published is longevity. Your book stays on the market until you or your publisher decides to take it off, which means the royalties do add up over time. My own experience has been that after more than three years on the market, my sales are pretty much the same now as they were when my book was first published. After the initial friendship sales, it's now all casual traffic looking for the kind of book I've written, and when I go looking, I'm always amazed at the number of places on the internet where my book is listed for sale. How much you make depends greatly on the genre you write and the degree to which you can spread the word around. It also doesn't hurt to have an entire army of family and friends who are willing to help drum up sales.
I'm interested in hearing your opinions. Is this wild west, anything goes era of publishing we've embarked on good times? Or is it the pits? Give me your perspective.
Devon
Rules of Engagement, by Christina Dodd, was published in Oct. 2000. I know because I looked it up. Why? I received a Google alert about this book in my inbox the other day. It turns out the hero's name is Devon Matthews. How funny is that? If I ever happen to meet Ms. Dodd, I'll probably have to explain that my pseudonym is a combination of my children's given names and not a ripoff of her character. I may have to buy a copy now and read it. Just because. 